The multi-talented Peter Conheim is our guest on Episode 10 of the podcast. We cover a veritable potpourri of topics, including his memories of the early ’90s Oakland warehouse scene from which Mono Pause (and Conheim’s own Electro Motive label) was spawned; his film restoration work on such underground classics as Deaf Punk and In the Red (both included in the excellent Ears, Eyes and Throats collection); his thoughts on seeing, hearing, and eventually joining the Mutants; his reasons for leaving Negativland; and his recollections of early 2000s San Francisco in the wake of the dot-com boom and bust.
Links
- PeterConheim.com
- Peter Conheim on Discogs
- Mono Pause
- Neung Phak (Bandcamp)
- Electro Motive Records
- Ears, Eyes and Throats: Restored Classic and Lost Punk Films 1976-1981
- The Mutants, Curse of the Easily Amused (Bandcamp)
- Listen/subscribe to the podcast: Apple | Spotify | Podcast Addict | Justcast (direct download link) | More
- Buy the book (Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age)
Music Credits
- Three Doctors, “Leaving Has Hurt”
- Neung Phak, “Khmer 27”
- Mono Pause, “El Cebo”
- The Mutants, “New Dark Ages”
- Neung Phak, “Tui Tui Tui”
- Porest, “Eye of the Leopard”
- Negativland, “Aluminum or Glass: The Memo”
One response to “WCA Podcast, Ep. 10: Peter Conheim (Mono Pause/Neung Phak, Negativland, etc.)”
[…] WCA Podcast, Ep. 10: Peter Conheim (Mono Pause/Neung Phak, Negativland, etc.) WCA Podcast, Ep. 6: Hisham Mayet (Sublime Frequencies, Bulbous Monocle) […]
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